{"version":"1.0","provider_name":"Deep Focus Review","provider_url":"https:\/\/www.deepfocusreview.com","author_name":"Brian Eggert","author_url":"https:\/\/www.deepfocusreview.com\/author\/dfrbeggert\/","title":"Courtroom Malfeasance","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"k938mOhGjd\"><a href=\"https:\/\/www.deepfocusreview.com\/courtroom-malfeasance-2\/\">Courtroom Malfeasance<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.deepfocusreview.com\/courtroom-malfeasance-2\/embed\/#?secret=k938mOhGjd\" width=\"600\" height=\"338\" title=\"&#8220;Courtroom Malfeasance&#8221; &#8212; Deep Focus Review\" data-secret=\"k938mOhGjd\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"Courtroom dramas are an arena unto themselves. Through them, justice is served on a grand cinematic stage, but then so are miscarriages of justice. These stories usually involve a series of conflicts that culminate with or revolve around a significant court case. Legal thrillers like Witness for the Prosecution (1957) or Anatomy of a Murder (1959) employ a defense attorney as a protagonist, and we follow that attorney as he builds his case strategy like finding clues to a murder mystery. In films such as The Accused (1988), we\u2019re on the prosecutor\u2019s side, watching as she seeks to put away a deserving criminal element. And sometimes we follow an attorney conducting a lawsuit with social or ethical stakes, such as the leads in Philadelphia (1993) or more recently Dark Waters (2019). Whatever the case\u2019s specifics may be, courtroom dramas, quite obviously, orbit around the courtroom and its usual trappings. Attorneys pore over legal books, evidence, and strategies to find some angle to win their case. Then they engage in over-the-top dramatics to convince the jury, often by introducing incriminating evidence or testimony that disproves another witness\u2019 version of events. The accused looks back at their loved ones, who worry about [&hellip;]","thumbnail_url":"https:\/\/www.deepfocusreview.com\/wp-content\/uploads\/2021\/06\/audrey-rose-1.jpg"}