{"id":65,"date":"2016-12-16T05:04:19","date_gmt":"2016-12-16T05:04:19","guid":{"rendered":"https:\/\/www.deepfocusreview.com\/?page_id=65"},"modified":"2025-07-05T09:56:22","modified_gmt":"2025-07-05T14:56:22","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/www.deepfocusreview.com\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"<p class=\"ai-optimize-6 ai-optimize-introduction\">On Deep Focus Review, I draw from my small library of resources to inform my reviews and essays. The texts include film histories, film theory in books and journals, and biographical texts. The resources also include a few online articles, disc extras, and other media. I have compiled a list of the most commonly used and referenced sources below.<\/p>\n<p class=\"ai-optimize-7\">Brian Eggert<br \/>\nDeep Focus Review<\/p>\n<hr \/>\n<ul id=\"bibliography\">\n<li class=\"ai-optimize-8\">Aisenberg, Joseph. <em>Studies in the Horror Film: Brian De Palma&#8217;s Carrie<\/em>. Centipede Press, 2011.<\/li>\n<li class=\"ai-optimize-9\">Albpert, Hollis. <em>Fellini: A Life<\/em>. Marlowe &amp; Company, 1986.<\/li>\n<li class=\"ai-optimize-10\">Aldouby, Hava. <em>Federico Fellini: Painting in Film, Painting on Film<\/em>. University of Toronto Press, 2010.<\/li>\n<li class=\"ai-optimize-11\">Allen, Jerry C.\u00a0<em>Conrad Veidt: From Caligari to Casablanca.\u00a0<\/em><span dir=\"ltr\">Boxwood Press<\/span>,<span dir=\"ltr\">\u00a01987.<\/span><\/li>\n<li class=\"ai-optimize-12\">Allen, Woody; Bj\u00f6rkman, Stig. <em>Woody Allen On Woody Allen. <\/em>Grove Press, 2005.<\/li>\n<li class=\"ai-optimize-13\">Anderegg, Michael. <em>David Lean<\/em>. Twayne, 1984.<\/li>\n<li class=\"ai-optimize-14\">Anderson, John. <i>Edward Yang<\/i>. University of Illinois Press, 2005.<\/li>\n<li class=\"ai-optimize-15\">Anderson, Lindsay. <em>About John Ford<\/em>. Plexus Publishing, 1999.<\/li>\n<li class=\"ai-optimize-16\">Andrew, Dudley and Carole Cavanaugh.\u00a0<em>Sansho Dayu<\/em>. British Film Insititute, 2009.<\/li>\n<li class=\"ai-optimize-17\">Andrews, Nigel. <em>Nigel Andrews on Jaws<\/em>. Bloomsbury Publishing, 1999.<\/li>\n<li class=\"ai-optimize-18\">Armes, Roy.\u00a0<em>Third World Film Making and the West<\/em>. University of California Press, 1987.<\/li>\n<li class=\"ai-optimize-19\">Armstrong, Stephen B. <em>Pictures About Extremes: The Films of John Frankenheimer<\/em>. McFarland &amp; Company, Inc: 2008.<\/li>\n<li class=\"ai-optimize-20\">Auzenne, Valliere Richard. <em>The Visualization Quest: A History of Computer Animation<\/em>. Fairleigh Dickinson University Press, 1994.<\/li>\n<li class=\"ai-optimize-21\">Bainbridge, John. <em>Garbo<\/em>. Doubleday &amp; Co., 1955.<\/li>\n<li class=\"ai-optimize-22\">Baker, Aaron.\u00a0<i>Steven Soderbergh<\/i>. Contemporary Film Directors. University of Illinois Press, 2011.<\/li>\n<li class=\"ai-optimize-23\">Basinger, Jeanine. <em>Anthony Mann<\/em>. New and Expanted Edition. Wesleyan, 2007.<\/li>\n<li class=\"ai-optimize-24\">Baxter, John. <i>George Lucas: A Biography<\/i>. HarperCollins Entertainment, 1999.<\/li>\n<li class=\"ai-optimize-25\">Baz Allen, William Rodney, ed. <em>The Coen Brothers: Interviews<\/em>. University Press of Mississippi, 2006.<\/li>\n<li class=\"ai-optimize-26\">Bazin, Andr\u00e9 and Bert Cardullo.<em>\u00a0Andr\u00e9 Bazin and Italian Neorealism<\/em>. The Continuum International Publishing Group, 2011.<\/li>\n<li class=\"ai-optimize-27\">Bazin, Andr\u00e9; Truffaut, Francois.<em> Jean Renoir<\/em>. Simon and Schuster, 1973.<\/li>\n<li class=\"ai-optimize-28\">Bazin, Andr\u00e9. <em>Orson Welles: A Critical View<\/em>. Foreword by Fran\u00e7ois Truffaut; profile by Jean Cocteau; translated from the French by Jonathan Rosenbaum. Harper &amp; Row, 1978.<\/li>\n<li class=\"ai-optimize-29\">Beach, Christopher. <i>The Films of Hal Ashby<\/i>. Wayne State University Press, 2009.<\/li>\n<li class=\"ai-optimize-30\">Beard, William.<em> The Artist as Monster: The Cinema of David Cronenberg<\/em>. University of Toronto Press, c2006.<\/li>\n<li class=\"ai-optimize-31\">Bellos, David. <em>Jacques Tati: His Life and Art<\/em>. Harvill, 1999.<\/li>\n<li class=\"ai-optimize-32\">Behlmer, Rudy, editor. <em>Memo from David O. Selznick<\/em>. Modern Library, 2000.<\/li>\n<li class=\"ai-optimize-33\">Behlmer, Rudy, editor. <em>W.S. Van Dyke&#8217;s Journal. <\/em>The Scarecrow Press, 1996.<\/li>\n<li class=\"ai-optimize-34\">Behlmer, Rudy. <em>America\u2019s Favorite Movies: Behind the Scenes<\/em>. Samuel French, 1990.<\/li>\n<li class=\"ai-optimize-35\">Benamou, Catherine L. <em>It\u2019s all true: Orson Welles\u2019s Pan-American Odyssey<\/em>. University of California Press, 2007.<\/li>\n<li class=\"ai-optimize-36\">Bergan, Ronald. <em>Jean Renoir: Projections of Paradise<\/em>. The Overlook Press, 1992.<\/li>\n<li class=\"ai-optimize-37\">Bergan, Ronald. <em>The Coen Brothers<\/em>. Thunder\u2019s Mouth Press, 2000.<\/li>\n<li class=\"ai-optimize-38\">Bergman, Ingmar; Tate, Joan. <em>The Magic Lantern: An Autobiography<\/em>. University Of Chicago Press, 2007.<\/li>\n<li class=\"ai-optimize-39\">Bergman, Ingmar. <em>Images: My Life In Film<\/em>. Foreword by Woody Allen. Arcade Publishing, 1995.<\/li>\n<li class=\"ai-optimize-40\">Bergreen, Laurence. <em>James Agee: A Life<\/em>. Dutton, 1984.<\/li>\n<li class=\"ai-optimize-41\">Bernstein, Matthew; Studlar, Gaylyn. <em>John Ford Made Westerns: Filming the Legend in the Sound Era<\/em>. Indiana University Press, 2001.<\/li>\n<li class=\"ai-optimize-42\">Besas, Peter.\u00a0<i>Behind the Spanish Lens: Spanish Cinema under Fascism and Democracy<\/i>. Arden Press, 1985.<\/li>\n<li class=\"ai-optimize-43\">Beugnet, Martine. <em>Claire Denis (French Film Directors).\u00a0<\/em>Manchester University Press, 2004.<\/li>\n<li class=\"ai-optimize-44\">Billson, Anne. <em>The Thing<\/em>. British Film Institute Modern Classics, BFI Publishing, 1997.<\/li>\n<li class=\"ai-optimize-45\">Biskind, Peter. <em>Easy Riders, Raging Bulls<\/em>. Simon and Schuster, 1998.<\/li>\n<li class=\"ai-optimize-46\">Bj\u00f6rkman, Stig.\u00a0<i>Trier on Von Trier.\u00a0<\/i>Trans., Neil Smith. Faber and Faber, 2005.<\/li>\n<li class=\"ai-optimize-47\">Blackford, James. &#8220;<em>Dressed to Kill <\/em>and <em>Blow Out<\/em>.&#8221; <em>Sight and Sound 23, <\/em>no. 9, September 2013: 96.<\/li>\n<li class=\"ai-optimize-48\">Blake, Richard A.<em> Woody Allen: Profane and Sacred. <\/em>Scarecrow Press, 1995.<\/li>\n<li class=\"ai-optimize-49\">Bliss, Michael, and Christina Banks.\u00a0<em>What Goes Around Comes Around: The Films of Jonathan Demme<\/em>. Southern Illinois University Press, 1996.<\/li>\n<li class=\"ai-optimize-50\">Bogdanovich, Peter. <em>Fritz Lang in America<\/em>. Studio Vista, 1967.<\/li>\n<li class=\"ai-optimize-51\">Bogdonovich, Peter. <em>John Ford<\/em> (Revised and Enlarged edition). University of California Press, 1978.<\/li>\n<li class=\"ai-optimize-52\">Bogdanovich, Peter. <em>Who the Devil Made It: Conversations with Legendary Film Directors<\/em>. Alfred A. Knopf, 1997.<\/li>\n<li class=\"ai-optimize-53\">Bondanella, Peter. <em>The Films of Federico Fellini<\/em>. Cambridge: Cambridge University Press, 2002.<\/li>\n<li class=\"ai-optimize-54\">Bondanella, Peter. <em>A History of Italian Cinema.<\/em>\u00a0The Continuum International Publishing Group, 2009.<\/li>\n<li class=\"ai-optimize-55\">Bordwell, David, et al. <em>The Classical Hollywood Cinema: Film Style and Mode of Production to 1960<\/em>. Columbia University Press, 1985.<\/li>\n<li class=\"ai-optimize-56\">Bordwell, David. <em>Making Meaning: Inference and Rhetoric in the Interpretation of Cinema.\u00a0<\/em>Harvard University Press, 1989.<\/li>\n<li class=\"ai-optimize-57\">Bordwell, David. <em>On the History of Film Style<\/em>.\u00a0Harvard University Press, 1997.<\/li>\n<li class=\"ai-optimize-58\">Bordwell, David. <em>Planet Hong Kong: Popular Cinema and the Art of Entertainment<\/em>.\u00a0Harvard University Press, 2000.<\/li>\n<li class=\"ai-optimize-59\">Bordwell, David.\u00a0<em>Poetics of Cinema<\/em>. Routledge, 2007.<\/li>\n<li class=\"ai-optimize-60\"><span style=\"font-weight: 400;\">Bordwell, David. <\/span><i><span style=\"font-weight: 400;\">Reinventing Hollywood<\/span><\/i><span style=\"font-weight: 400;\">. University of Chicago Press, 2019.<\/span><\/li>\n<li class=\"ai-optimize-61\">Bordwell, David. <em>The Way Hollywood Tells It: Story and Style in Modern Movies.<\/em> The University of California Press, 2006.<\/li>\n<li class=\"ai-optimize-62\">Bould, Mark.\u00a0<em>Solaris<\/em>. BFI Film Classics. Palgrave Macmillan, 2014.<\/li>\n<li class=\"ai-optimize-63\">Boulenger, Gilles.<em> John Carpenter: The Prince of Darkness<\/em>. H.O.M. Vision, 2002.<\/li>\n<li class=\"ai-optimize-64\">Braudy, Leo; Cohen, Marshall.<em> Film Theory and Criticism: Introductory Readings.<\/em>\u00a0Oxford University Press, 1985.<\/li>\n<li class=\"ai-optimize-65\"><span style=\"font-weight: 400;\">Bresson, Robert. <\/span><i><span style=\"font-weight: 400;\">Notes on the Cinematograph<\/span><\/i><span style=\"font-weight: 400;\">. New York Review Books, 2016.<\/span><\/li>\n<li class=\"ai-optimize-66\"><span style=\"font-weight: 400;\">Bresson, Mylene, editor. <\/span><i><span style=\"font-weight: 400;\">Bresson on Bresson: Interviews, 1943-1983<\/span><\/i><span style=\"font-weight: 400;\">. New York Review Books, 2016.<\/span><\/li>\n<li class=\"ai-optimize-67\">Bricknell, Timothy, editor.\u00a0<em>Minghella on Minghella<\/em>. Faber &amp; Faber, 2005.<\/li>\n<li class=\"ai-optimize-68\">Brideson, Cynthia and Sara Brideson. <em>He\u2019s Got Rhythm: The Life and Career of Gene Kelly<\/em>. The University Press of Kentucky, 2017.<\/li>\n<li class=\"ai-optimize-69\">Brownlow, Kevin. <em>David Lean: A Biography<\/em>. St. Martin&#8217;s, 1997.<\/li>\n<li class=\"ai-optimize-70\">Browning, Mark.<em> David Cronenberg: Author or Filmmaker?<\/em>\u00a0Intellect, Ltd., 2007.<\/li>\n<li class=\"ai-optimize-71\">Browning, Mark.<em> David Fincher: Films that Scar<\/em>. Praeger, 2010.<\/li>\n<li class=\"ai-optimize-72\">Brunette, Peter. <em>Wong Kar-wai<\/em>. University of Illinois Press, 2005.<\/li>\n<li class=\"ai-optimize-73\">Bryant, Roger. <em>William Powell: The Life and Films<\/em>. McFarland &amp; Company, 2006.<\/li>\n<li class=\"ai-optimize-405\">Buckland, Warren.\u00a0<i>Directed by Steven Spielberg: Poetics of the Contemporary Hollywood Blockbusters<\/i>. Bloomsbury, 2006.<\/li>\n<li class=\"ai-optimize-74\">Buscombe, Edward. <em>Unforgiven<\/em> (BFI Modern Classics). British Film Institute, 2004.<\/li>\n<li class=\"ai-optimize-75\">Callow, Simon. <em>Charles Laughton: A Difficult Actor<\/em>.Methuen, 1987.<\/li>\n<li class=\"ai-optimize-76\">Callow, Simon. <em>The Night of the Hunter<\/em>. BFI Film Classics. BFI, 2000.<\/li>\n<li class=\"ai-optimize-77\">Campbell, Bruce.<em> If Chins Could Kill: Confessions of a B Movie Actor.<\/em>\u00a0LA Weekly Books for St. Martin\u2019s Press, 2001<\/li>\n<li class=\"ai-optimize-78\">Campbell, Bruce. <em>Make love!\u2014the Bruce Campbell Way<\/em>. Thomas Dunne Books, 2005.<\/li>\n<li class=\"ai-optimize-79\">Camper, Fred. &#8220;The Films of Douglas Sirk.&#8221; <em>Screen<\/em>, Summer &#8217;71, Vol. 12 Issue 2, p44-62.<\/li>\n<li class=\"ai-optimize-80\">Carn\u00e9, Marcel. <em>La Vie \u00e0 belles dents<\/em>. Belfond, 1989.<\/li>\n<li class=\"ai-optimize-81\">Carroll, Noel. <em>The Philosophy of Horror<\/em>. Routledge, 1990.<\/li>\n<li class=\"ai-optimize-82\">Cavell, Stanley.\u00a0<i>Pursuits of Happiness: The Hollywood Comedy of Remarriage<\/i>. Harvard University Press, 1984.<\/li>\n<li class=\"ai-optimize-83\">Chaplin, Charles.<em> My Autobiography<\/em>. Simon &amp; Schuster, 1964.<\/li>\n<li class=\"ai-optimize-84\">Chion, Michel. <em>The Films of Jacques Tati<\/em>. Guernica, 1997.<\/li>\n<li class=\"ai-optimize-85\">Chion, Michel.\u00a0<em>Kubrick&#8217;s Cinema Odyssey<\/em>. British Film Institute, 2001.<\/li>\n<li class=\"ai-optimize-86\">Chion, Michael. <em>The Thin Red Line<\/em>. Trans. Trista Selous. British Film Institute, 2004.<\/li>\n<li class=\"ai-optimize-87\">Choi, Jinhee.\u00a0<i>The South Korean Film Renaissance<\/i>. Wesleyan University Press, 2010.<\/li>\n<li class=\"ai-optimize-88\">Chow, Rey.\u00a0<i>Primitive Passions: Visuality, Sexuality, Ethnography and Contemporary Chinese Cinema.\u00a0<\/i>Columbia University Press, 1995.<\/li>\n<li class=\"ai-optimize-89\">Christie, Ian. <em>Arrows of Desire: The Films of Michael Powell and Emeric Pressburger<\/em>. Faber &amp; Faber, 1994.<\/li>\n<li class=\"ai-optimize-90\">Christie, Ian. <em>A Matter of Life and Death<\/em>. (BFI Modern Classics). British Film Institute, 2000.<\/li>\n<li class=\"ai-optimize-91\">Christie, Ian. <em>Powell, Pressburger and Others<\/em>. BFI (British Film Institute), 1978.<\/li>\n<li class=\"ai-optimize-92\">Christie, Ian and Moor, Andrew, eds. <em>The Cinema of Michael Powell<\/em>. BFI (British Film Institute), 2005.<\/li>\n<li class=\"ai-optimize-93\">Christie, Ian; Thompson, David, editor.<em> Scorsese on Scorsese<\/em>. Revised Edition. Faber, 2003.<\/li>\n<li class=\"ai-optimize-94\">Clark, Ashley. <i>Facing Blackness: Media and Minstrelsy in Spike Lee\u2019s Bamboozled<\/i>. The Critical Press, 2015.<\/li>\n<li class=\"ai-optimize-95\">Conrich, Ian\u00a0et al., editors. <em>The Cinema of John Carpenter: The Technique of Terror<\/em>. Columbia University Press, 2004.<\/li>\n<li class=\"ai-optimize-96\">Conway, Kelley.\u00a0<i>Agnes Varda.\u00a0<\/i>Contemporary Film Directors. University of Illinois Press, 2015.<\/li>\n<li class=\"ai-optimize-97\">Cook, David.\u00a0<i>Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979<\/i>. University of California Press, 2002.<\/li>\n<li class=\"ai-optimize-98\">Cornea, Christine.\u00a0<i>Science Fiction Cinema: Between Fantasy and Reality<\/i>. Rutgers University Press, 2007.<\/li>\n<li class=\"ai-optimize-99\">Cornelius, Sheila, with Ian Haydn Smith.\u00a0<i>New Chinese Cinema: Challenging Representations<\/i>. Wallflower Press, 2002.<\/li>\n<li class=\"ai-optimize-100\">Couchman, Jeffrey. <em>The Night of the Hunter: A Biography of a Film<\/em>. Northwestern University Press, 2009.<\/li>\n<li class=\"ai-optimize-101\">Cowie, Peter.<em> Ingmar Bergman: A Critical Biography<\/em>. Scribner, c1982.<\/li>\n<li class=\"ai-optimize-102\">Cowie, Peter.<em> John Ford and the American West.<\/em>\u00a0H.N. Abrams, 2004.<\/li>\n<li class=\"ai-optimize-103\"><em>Cronenberg on Cronenberg<\/em>. Edited by Chris Rodley. Faber and Faber, 1992.<\/li>\n<li class=\"ai-optimize-104\">Cronin, Paul. <em>Herzog on Herzog<\/em>. Faber and Faber Ltd., 2002.<\/li>\n<li class=\"ai-optimize-105\">Crouse, Richard.\u00a0<i>Raising Hell: Ken Russell and the Unmaking of The Devils.\u00a0<\/i>Ecw Press, 2012.<\/li>\n<li class=\"ai-optimize-106\">Cumbow, Robert C. <em>Order in the Universe: The Film of John Carpenter. <\/em>Scarecrow Press, Inc.; Second Edition, 2000.<\/li>\n<li class=\"ai-optimize-107\"><span style=\"font-weight: 400;\">Cunneen, Joseph. <\/span><i><span style=\"font-weight: 400;\">Robert Bresson: A Spiritual Style in Film. <\/span><\/i><span style=\"font-weight: 400;\">Continuum, 2003.<\/span><\/li>\n<li class=\"ai-optimize-108\">Curtis, James.<em> Between Flops: A Biography of Preston Sturges<\/em>. Harcourt, Brace, Jovanovich, c1982.<\/li>\n<li class=\"ai-optimize-109\">Darcy, Paquet.\u00a0<i>New Korean Cinema: Breaking the Waves.\u00a0<\/i>Wallflower Press, 2010.<\/li>\n<li class=\"ai-optimize-110\"><em>David Fincher: Interviews<\/em>. Conversations with Filmmakers Series. Laurence F. Knapp, editor. University Press of Mississippi, 2014.<\/li>\n<li class=\"ai-optimize-111\">Dawson, Nick. <i>Being Hal Ashby: Life of a Hollywood Rebel<\/i>. University Press of Kentucky, 2009.<\/li>\n<li class=\"ai-optimize-112\">Dawson, Nick (editor). <i>Hal Ashby: Interviews (Conversations with Filmmakers Series)<\/i>. University Press of Mississippi, 2010.<\/li>\n<li class=\"ai-optimize-113\"><span style=\"font-weight: 400;\">Denning, Michael. <\/span><i><span style=\"font-weight: 400;\">The Cultural Front: The Laboring of American Culture in the\u00a0<\/span><\/i><i><span style=\"font-weight: 400;\">Twentieth Century<\/span><\/i><span style=\"font-weight: 400;\">. Verso, 1998.<\/span><\/li>\n<li class=\"ai-optimize-114\">DeRoo, Rebecca J.\u00a0<i>Agnes Varda between Film, Photography, and Art<\/i>. University of California Press, 2018.<\/li>\n<li class=\"ai-optimize-115\">DeWaard, Andrew and R. Colin Tait.\u00a0<i>The Cinema of Steven Soderbergh: Indie Sex, Corporate Lies, and Digital Videotape<\/i>. Wallflower Press, 2013.<\/li>\n<li class=\"ai-optimize-116\">Diawara, Manthia.\u00a0<i>African Cinema: Politics and Culture<\/i>. Indiana University Press, 1992.<\/li>\n<li class=\"ai-optimize-117\">Dick, Bernard F.\u00a0<em>The Star-Spangled Screen: The American World War II Film<\/em>. The UniversityPress of Kentucky, 1985.<\/li>\n<li class=\"ai-optimize-118\">Dombrowski, Lisa. <em>The Films of Samuel Fuller: If You Die, I&#8217;ll Kill You!<\/em> Wesleyan University Press, 2008.<\/li>\n<li class=\"ai-optimize-119\">Dondey, Marc. <em>Jacques Tati<\/em>. Ramsay, 1987.<\/li>\n<li class=\"ai-optimize-120\">Doom, Ryan P. <em>The Brothers Coen: Unique Characters of Violence<\/em>. ABC-CLIO, Inc., 2009.<\/li>\n<li class=\"ai-optimize-121\">Dower, John W. <em>Embracing Defeat: Japan in the Wake of World War II<\/em>. Norton &amp; Company, 1999.<\/li>\n<li class=\"ai-optimize-122\">Drazin, Charles. <em>In Search of The Third Man.<\/em> Limelight Editions (Proscenium), 2000<em>.<\/em><\/li>\n<li class=\"ai-optimize-123\">Drazin, Charles. <em>Korda: Britain&#8217;s Only Movie Mogul.<\/em> Sidgwick &amp; Jackson, 2002.<\/li>\n<li class=\"ai-optimize-124\">Desser, David. <em>Eros Plus Massacre: An Introduction to the Japanese New Wave Cinema<\/em>. Indiana University Press, 1988.<\/li>\n<li class=\"ai-optimize-125\">Durgnat, Raymond. <em>A Mirror for England: British Movies from Austerity to Affluence<\/em>. Praeger, 1971.<\/li>\n<li class=\"ai-optimize-126\">Ebert, Roger. &#8220;<a href=\"http:\/\/www.rogerebert.com\/reviews\/bamboozled-2000\"><em>Bamboozled <\/em>Movie Review &amp; Film Summary.<\/a>&#8221; <u>RogerEbert.com<\/u>. October 6, 2000.<\/li>\n<li class=\"ai-optimize-127\">Ebert, Roger. &#8220;<a href=\"http:\/\/rogerebert.suntimes.com\/apps\/pbcs.dll\/article?AID=\/20050911\/REVIEWS08\/509110301\/1023\">Great Movies: <em>Crimes and Misdemeanors<\/em>.<\/a>&#8221; <u>RogerEbert.com<\/u>. September 11, 2005.<\/li>\n<li class=\"ai-optimize-128\">Ebert, Rogert. &#8220;<em><a href=\"http:\/\/www.rogerebert.com\/reviews\/la-strada-1994\">La Strada<\/a><\/em><a href=\"http:\/\/www.rogerebert.com\/reviews\/la-strada-1994\"> Movie Review &amp; Film Summary.<\/a>&#8221; <u>RogerEbert.com<\/u>. April 1, 1994.<\/li>\n<li class=\"ai-optimize-129\">Eckstein, Arthur; Lehman, Peter, editors. <em>The Searchers: Essays and Reflections on John Ford&#8217;s Classic Western<\/em>. Wayne State University Press, 2004.<\/li>\n<li class=\"ai-optimize-130\">Eisenschitz, Bernard. <em>Nicholas Ray: An American Journey. <\/em>University of Minnesota Press, 2011.<\/li>\n<li class=\"ai-optimize-131\">Elsaesser, Thomas.\u00a0<i>European Cinema and Continental Philosophy: Film as Thought Experiment.\u00a0<\/i>Bloomsbury, 2019.<\/li>\n<li class=\"ai-optimize-132\">Elsaesser, Thomas. <em>Metropolis. <\/em>(BFI Film Classics). 2nd Edition. British Film Institute, 2012.<\/li>\n<li class=\"ai-optimize-133\">Erb, Cynthia Marie. <i>Tracking King Kong: a Hollywood Icon in World Culture<\/i>. Wayne State University Press, 2009.<\/li>\n<li class=\"ai-optimize-134\">Evans, Peter William. <em>Carol Reed<\/em>. British Film Makers. Manchester University Press, 2005.<\/li>\n<li class=\"ai-optimize-135\">Eyman, Scott.<em> Ernst Lubitsch: Laughter in Paradise. <\/em>Simon &amp; Schuster, c1993.<\/li>\n<li class=\"ai-optimize-136\">Eyman, Scott.<em> Print the Legend: The Life and Times of John Ford<\/em>. Simon &amp; Schuster, c1999.<\/li>\n<li class=\"ai-optimize-137\">Feineman, Neil.<em> Nicolas Roeg.\u00a0<\/em>Twayne, 1978.<\/li>\n<li class=\"ai-optimize-138\">Flanagan, Kevin M., editor.\u00a0<i>Ken Russell: Re-Viewing England\u2019s Last Mannerist<\/i>. Scarecrow Press, 2009.<\/li>\n<li class=\"ai-optimize-139\">Flory, Dan. &#8220;<em>Bamboozled: <\/em>Philosophy through Blackface.&#8221; <em>The Philosophy of Spike Lee. <\/em>Ed. Mark T. Conard. The University Press of Kentucky, 2011.<\/li>\n<li class=\"ai-optimize-140\">Flynn, Errol.<em> My Wicked Wicked Ways: The Autobiography of Errol Flynn<\/em>. Third Woman Press, 1987.<\/li>\n<li class=\"ai-optimize-141\">Forbes, Jill. <em>Les enfants du paradis. <\/em>(BFI Modern Classics). British Film Institute, 1997.<\/li>\n<li class=\"ai-optimize-142\">Fox, Julian. <em>Woody: Movies from Manhattan<\/em>. Overlook Press, 1996.<\/li>\n<li class=\"ai-optimize-143\">Francisco, Charles. <em>Gentleman: The William Powell Story. <\/em>St. Martin&#8217;s Press, 1985.<\/li>\n<li class=\"ai-optimize-144\">Frayling, Christopher. <em>Sergio Leone: Something to Do with Death<\/em>. Faber &amp; Faber, 2000.<\/li>\n<li class=\"ai-optimize-145\">Frayling, Christopher. <em>Spaghetti Westerns: Cowboys and Europeans from Karl May to Sergio Leone<\/em>. Routledge &amp; Kegan Paul, 1981.<\/li>\n<li class=\"ai-optimize-146\">French, Sean.\u00a0<i>The Terminator<\/i>. British Film Institute; 2nd edition, 2021.<\/li>\n<li class=\"ai-optimize-147\">Friedman, Lester D. <em>Citizen Spielberg<\/em>. 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British Film Institute, 2010.<\/li>\n<li class=\"ai-optimize-273\">Nasta, Dominique. <i>Contemporary Romanian Cinema: The History of an Unexpected Miracle<\/i>. Columbia University Press, 2013.<\/li>\n<li class=\"ai-optimize-274\">Nathan, Ian.\u00a0<i>James Cameron: A Retrospective<\/i>. Palazzo Editions, 2012.<\/li>\n<li class=\"ai-optimize-275\">Nayman, Adam. <em>The Coen Brothers: This Book Really Ties the Films Together<\/em>.\u00a0Harry N. Abrams, 2018.<\/li>\n<li class=\"ai-optimize-276\">Nelson, Thomas Allen.\u00a0<em>Kubrick, Inside a Film Artist&#8217;s Maze.\u00a0<\/em>New and expanded ed. Indiana University Press, 2000.<\/li>\n<li class=\"ai-optimize-277\">Nupert, Richard. <em>A History of the French New Wave. <\/em>Second Edition. The University of Wisconsin Press, 2007.<\/li>\n<li class=\"ai-optimize-278\">O&#8217;Connor, Garry. <em>Alec Guinness: Master of Disguise<\/em>. Hodder &amp; Storighton, 1994.<\/li>\n<li class=\"ai-optimize-279\">Okuda, Ted; Maska, David. <em>Charlie Chaplin at Keystone and Essanay: Dawn of the Tramp<\/em>. iUniverse, 2005.<\/li>\n<li class=\"ai-optimize-280\">Page, Edwin. <em>Ordinary Heroes: The Films of Danny Boyle<\/em>. Empiricus Books, 2010.<\/li>\n<li class=\"ai-optimize-281\">Palmer, R. Barton.<em> Joel and Ethan Coen<\/em>. University of Illinois Press, 2004.<\/li>\n<li class=\"ai-optimize-282\">Palmer, R. Barton and Steven M. Sanders.\u00a0<i>The Philosophy of Steven Soderbergh<\/i>. \u200eThe University Press of Kentucky, 2011.<\/li>\n<li class=\"ai-optimize-283\">Paris, Barry. <em>Garbo<\/em>. University of Minnesota Press, 2002.<\/li>\n<li class=\"ai-optimize-284\">Parker, John. <em>Polanski.<\/em> London, 1994.<\/li>\n<li class=\"ai-optimize-285\">Patterson, Hannah, editor. <em>The Cinema of Terrence Malick: Poetic Visions of America<\/em>. Second Edition. \u00a0Wallflower Press; 2nd edition, 2007.<\/li>\n<li class=\"ai-optimize-286\">Peretz, Eyal.<em> Becoming Visionary: Brian De Palma&#8217;s Cinematic Education of the Senses.<\/em>\u00a0Stanford University Press, 2008.<\/li>\n<li class=\"ai-optimize-287\">Perry, Danny. <em>Cult Movies: The Classics, the Sleepers, the Weird, and the Wonderful<\/em>. Delta; 1st edition, 1981.<\/li>\n<li class=\"ai-optimize-288\">Perry, Danny. <em>Cult Movies 2: Fifty more of the Classics, the Sleepers, the Weird, and the Wonderful<\/em>. Dell Trade Paperback; Subsequent edition, 1983.<\/li>\n<li class=\"ai-optimize-289\">Perry, Danny. <em>Cult Movies 3: 50 More of the Classics, the Sleepers, the Weird and the Wonderful<\/em>. Fireside; 1st edition, 1988.<\/li>\n<li class=\"ai-optimize-290\">Petrie, Graham. <em>Hollywood destinies: European directors in America, 1922-1931<\/em>. Wayne State University Press, c2002.<\/li>\n<li class=\"ai-optimize-291\">Phillips, Gene D. <em>Beyond the Epic: The Life &amp; Films of David Lean<\/em>. The University of Kentucky Press, 2006.<\/li>\n<li class=\"ai-optimize-292\">Phillips, Gene D.\u00a0<em>Some Like It Wilder: The Life and Controversial Films of Billy Wilder<\/em>. University Press of Kentucky, 2009.<\/li>\n<li class=\"ai-optimize-293\"><span style=\"font-weight: 400;\">Philips, Gene D., editor. <\/span><i><span style=\"font-weight: 400;\">Stanley Kubrick: Interviews<\/span><\/i><span style=\"font-weight: 400;\">. University Press of Mississippi, 2001.<\/span><\/li>\n<li class=\"ai-optimize-294\"><span style=\"font-weight: 400;\">Pipolo, Tony. <\/span><i><span style=\"font-weight: 400;\">Robert Bresson: A Passion for Film<\/span><\/i><span style=\"font-weight: 400;\">. Oxford University Press, 2010.<\/span><\/li>\n<li class=\"ai-optimize-295\">Plantinga, Carl. \u201cWhat a Documentary Is, After All.\u201d <em>The Journal of Aesthetics and Art Criticism<\/em>, 4\/1\/2005, Vol. 63, Issue 2, p. 105-117.<\/li>\n<li class=\"ai-optimize-296\">Polanski, Roman. <em>Roman by Polanski<\/em>. Morrow, 1985.<\/li>\n<li class=\"ai-optimize-297\">Powell, Michael.<em> A Life in Movies: An Autobiography<\/em>. Knopf, 1987.<\/li>\n<li class=\"ai-optimize-298\">Powell, Michael. <em>Million Dollar Movie<\/em>. Heinemann, 1992.<\/li>\n<li class=\"ai-optimize-299\">Prager, Brad. <em>The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth<\/em>. Columbia University Press, 2007.<\/li>\n<li class=\"ai-optimize-300\">Pratley, Gerald. <em>The Cinema of David Lean<\/em>. Barnes, 1974.<\/li>\n<li class=\"ai-optimize-301\">Pratt, William. <em>Scarlett Fever<\/em>. Macmillan Publishing Co., 1977.<\/li>\n<li class=\"ai-optimize-302\">Price, David A. <em>The Pixar Touch<\/em>. Knopf, 2008.<\/li>\n<li class=\"ai-optimize-303\">Prince, Stephen.\u00a0<i>A Dream of Resistance: The Cinema of Kobayashi Masaki<\/i>. Rutgers University Press, 2017.<\/li>\n<li class=\"ai-optimize-304\">Pulver, Andrew. <em>Night and the City<\/em>. (BFI Modern Classics). British Film Institute, London: 2010.<\/li>\n<li class=\"ai-optimize-305\">Quirke, Atonia.<em> Jaws<\/em>. British Film Institute Modern Classics, BFI Publishing, 2002.<\/li>\n<li class=\"ai-optimize-306\">Raphael, Amy. <em>Danny Boyle: In His Own Words. <\/em>Faber &amp; Faber, 2010.<\/li>\n<li class=\"ai-optimize-307\">Rathgeb, Douglas L. <em>The Making of Rebel Without a Cause. <\/em>McFarland &amp; Company, Inc., 2004.<\/li>\n<li class=\"ai-optimize-308\">Renoir, Jean. <em>My Life and My Films<\/em>. Da Capo Press, 1991.<\/li>\n<li class=\"ai-optimize-309\">Richards, Arlene Kramer, et al. (editors).\u00a0<i>Pedro Almod\u00f3var: A Cinema of Desire, Passion and Compulsion<\/i>. International Psychoanalytic Books, 2018.<\/li>\n<li class=\"ai-optimize-310\">Richie, Donald.<em> The Films of Akira Kurosawa, Third Edition, Expanded and Updated<\/em>. With additional material by Joan Mellen. University of California Press, 1996.<\/li>\n<li class=\"ai-optimize-311\">Richie, Donald; Schrader, Paul.<em> A Hundred Years of Japanese Film: A Concise History, with a Selective Guide to DVDs and Video<\/em>. Kodansha International: Distributed in the U.S. by Kodansha America, 2005.<\/li>\n<li class=\"ai-optimize-312\">Richie, Donald. <em>Ozu: His Life and Films<\/em>. University of California Press, 1974.<\/li>\n<li class=\"ai-optimize-313\">Riordan, James. <em>Stone: A Biography of Oliver Stone<\/em>. Aurum Press, 1996.<\/li>\n<li class=\"ai-optimize-314\"><span style=\"font-weight: 400;\">Rode, Alan K. <\/span><i><span style=\"font-weight: 400;\">Michael Curtiz: A Life in Film<\/span><\/i><span style=\"font-weight: 400;\">. University Press of Kentucky, 2017.<\/span><\/li>\n<li class=\"ai-optimize-315\">Robb, Brian J.\u00a0<i>Screams and Nightmares: The Films of Wes Craven<\/i>. Polaris Publishing, Inc., 2022.<\/li>\n<li class=\"ai-optimize-316\">Robertson, James C.<em>. The Casablanca Man: The Cinema of Michael Curtiz.<\/em>\u00a0Routledge, 1993.<\/li>\n<li class=\"ai-optimize-317\">Robinson, David. <em>Chaplin: His Life and Art<\/em>. McGraw-Hill, second edition, 2001.<\/li>\n<li class=\"ai-optimize-318\">Rockett, Emer; Rockett, Kevin. <em>Neil Jordan: Exploring Boundaries<\/em>. Liffey Press, 2003.<\/li>\n<li class=\"ai-optimize-319\">Rodley, Chris, editor. <em>Lynch on Lynch. <\/em>Revised Edition. Faber &amp; Faber, 2005.<\/li>\n<li class=\"ai-optimize-320\">Rony, Fatimah Tobing. <i>The Third Eye: Race, Cinema, and Ethnographic Spectacle<\/i>. Duke University Press, 1996.<\/li>\n<li class=\"ai-optimize-321\">Rosenzweig, Sidney.<em> Casablanca and Other Major Films of Michael Curtiz<\/em>. UMI Research Press, 1982.<\/li>\n<li class=\"ai-optimize-322\">Rowell, Erica. <em>The Brothers Grim: The Films of Ethan and Joel Coen<\/em>. The Scarecrow Press, Inc., 2007.<\/li>\n<li class=\"ai-optimize-323\">Ruberto, Laura E. and Kristi M. Wilson.\u00a0<em>Italian Neorealism and Global Cinema<\/em>. Wayne State Univerity Press, 2007.<\/li>\n<li class=\"ai-optimize-324\">Russell, Rosalind; Chase, Chris. <em>Life\u2019s a Banquet<\/em>. Random House, 1977.<\/li>\n<li class=\"ai-optimize-325\">Russell, Ken.\u00a0<i>Altered States: The Autobiography of Ken Russell<\/i>. Bantam Books, 1991.<\/li>\n<li class=\"ai-optimize-326\">Salewicz, Chris. <em>Oliver Stone: Close Up: The Making of His Movies<\/em>. Thunder&#8217;s Mouth Press, 1998.<\/li>\n<li class=\"ai-optimize-327\">Salwolke, Scott. <em>Nicolas Roeg Film by Film.<\/em> McFarkland, 1993.<\/li>\n<li class=\"ai-optimize-328\">Samuels, Charles Thomas. <em>Encountering Directors: Interviews<\/em>. Capricorn Books, 1972.<\/li>\n<li class=\"ai-optimize-329\">Sanderson, Mark. <em>Don&#8217;t Look Now<\/em>. BFI (British Film Institute), 1996.<\/li>\n<li class=\"ai-optimize-330\">Sandford, Christopher.<em> Polanski: A Biography<\/em>. Palgrave Macmillan, 2008.<\/li>\n<li class=\"ai-optimize-331\">Sato, Tadao.\u00a0<em>Kenji Mizoguchi and the Art of Japanese Cinema<\/em>. Berg, 2008.<\/li>\n<li class=\"ai-optimize-332\">Schatz, Thomas.<em> The Genius of the System: Hollywood Filmmaking in the Studio Era<\/em>. Pantheon, 1988.<\/li>\n<li class=\"ai-optimize-333\">Schickel, Richard. <em>Bogie: a celebration of the life and films of Humphrey Bogart<\/em>. Aurum, 2006.<\/li>\n<li class=\"ai-optimize-334\">Schickel, Richard.<em> Cary Grant: A Celebration.<\/em>\u00a0Little, Brown, c1983.<\/li>\n<li class=\"ai-optimize-335\">Schickel, Richard. <em>Double Indemnity<\/em>. (BFI Film Classics). British Film Institute, 1992.<\/li>\n<li class=\"ai-optimize-336\">Schickel, Richard.<em> The Essential Chaplin: Perspectives on the Life and Art of the Great Comedian.<\/em>\u00a0I.R. Dee, 2006.<\/li>\n<li class=\"ai-optimize-337\">Schickel, Richard.<em> The Men who made the movies: interviews with Frank Capra, George Cukor, Howard Hawks, Alfred Hitchcock, Vincente Minnelli, King Vidor, Raoul Walsh, and William A.<\/em>Wellman. Atheneum, 1975.<\/li>\n<li class=\"ai-optimize-338\"><span style=\"font-weight: 400;\">Schrader, Paul. <\/span><i><span style=\"font-weight: 400;\">Transcendental Style in Film: Ozu, Bresson, Dreyer<\/span><\/i><span style=\"font-weight: 400;\">. University of California Press, 2018.<\/span><\/li>\n<li class=\"ai-optimize-339\">Scorsese, Martin; Henry, Michael.<em> A Personal Journey Through American Movies.<\/em>\u00a0Hyperion, 1997.<\/li>\n<li class=\"ai-optimize-340\">Sellers, Robert.\u00a0<i>Hollywood Hellraisers: The Wild Lives and Fast Times of Marlon Brando, Dennis Hopper, Warren Beatty, and Jack Nicholson<\/i>. Skyhorse, 2010.<\/li>\n<li class=\"ai-optimize-341\">Sesonske, Alexandre. <em>Jean Renoir: The French Films, 1924-1939<\/em>. Harvard University Press, 1980.<\/li>\n<li class=\"ai-optimize-342\">Sikov, Ed. <i>Mr. Strangelove: A Biography of Peter Sellers<\/i>. Hachette Books, 2003.<\/li>\n<li class=\"ai-optimize-343\">Sikov, Ed. <em>On Sunset Boulevard: The Life and Times of Billy Wilder<\/em>. Hyperion, 1998.<\/li>\n<li class=\"ai-optimize-344\">Silverman, Stephen M. <em>Dancing on the Ceiling: Stanley Donen and His Movies<\/em>. Alfred A. Knopf, 1996.<\/li>\n<li class=\"ai-optimize-345\">Simons, Jan.\u00a0<i>Playing the Waves: Lars Von Trier\u2019s Game Cinema<\/i>. Amsterdam University Press, 2007.<\/li>\n<li class=\"ai-optimize-346\">Singer, Irving. <em>Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity<\/em>. The MIT Press, 2007.<\/li>\n<li class=\"ai-optimize-347\">Sinyard, Neil. <em>The Films of Nicolas Roeg<\/em>. Letts, 1991.<\/li>\n<li class=\"ai-optimize-348\">Skakov, Nariman.\u00a0<em>The Cinema of Tarkovsky: Labyrinths of Space and Time<\/em>. I.B. Tauris, 2012.<\/li>\n<li class=\"ai-optimize-349\">Smith, Murray. <em>Trainspotting. <\/em>British Film Institute Modern Classics, BFI Publishing, 2008.<\/li>\n<li class=\"ai-optimize-350\">Snead, James A.\u00a0<em>White Screens\/Black Images: Hollywood From the Dark Side<\/em>. Routledge, 1994.<\/li>\n<li class=\"ai-optimize-351\">Snyder, Stephen and Howard Curle.\u00a0<em>Vittorio De Sica: Contemporary Perspectives.\u00a0<\/em>University of Toronto Press, 2000.<\/li>\n<li class=\"ai-optimize-352\">Sperb, Jason.\u00a0<em>The Kubrick Facade: Faces and Voices in the Films of Stanley Kubrick<\/em>. Scarecrow Press, 2006.<\/li>\n<li class=\"ai-optimize-353\"><em>Stanely Kubrick: Interviews<\/em>. University Press of Mississippi, 2001.<\/li>\n<li class=\"ai-optimize-354\">Stevenson, Jack.\u00a0<i>Dogma Uncut: Lars von Trier, Thomas Vinterberg, and the Gang That Took on Hollywood<\/i>. Santa Monica Press, 2003.<\/li>\n<li class=\"ai-optimize-355\">Sterritt, David. <em>Spike Lee&#8217;s America<\/em>. Polity Press, 2013.<\/li>\n<li class=\"ai-optimize-356\">Stevens Jr., George. <em>Conversations at the American Film Institute with the Great Moviemakers: The Next Generation<\/em>. Vintage Books, 2012.<\/li>\n<li class=\"ai-optimize-357\">Stevenson, Jack.\u00a0<i>Lars von Trier.\u00a0<\/i>World Directors. British Film Institute, 2002.<\/li>\n<li class=\"ai-optimize-358\">Stone, Oliver. <em>JFK: The Book of the Film<\/em>. Applause Books, 2000.<\/li>\n<li class=\"ai-optimize-359\">Straus, Frederick (editor).<i>\u00a0Almod\u00f3var on Almod\u00f3var<\/i>. Revised edition. Faber and Faber, 2006.<\/li>\n<li class=\"ai-optimize-360\">Sturges, Preston; Sturges, Tom. <em>Preston Sturges by Preston Sturges: His Life in His Words.\u00a0<\/em>Simon and Schuster, 1990.<\/li>\n<li class=\"ai-optimize-361\">Suchenski, Richard I., editor.\u00a0<i>Hou Hsiao-hsien<\/i>. Austrian Film Museum, 2014.<\/li>\n<li class=\"ai-optimize-362\">Tarkovsky, Andrei.\u00a0<em>Sculpting in Time: Reflections on the Cinema<\/em>. Trans. K. Hunter-Blair. University of Texas Press, 2003.<\/li>\n<li class=\"ai-optimize-363\">Teo, Stephen.\u00a0<i>Chinese Martial Arts Cinema: The Wuxia Tradition<\/i>. Second Edition. Edinburgh University Press, 2009.<\/li>\n<li class=\"ai-optimize-364\">Teo, Stephen. <i>King Hu\u2019s A Touch of Zen<\/i>. (The New Hong Kong Cinema). Hong Kong University Press, 2008.<\/li>\n<li class=\"ai-optimize-365\">Thomas, Bob. <em>The Art of Animation<\/em>. Simon &amp; Schuster, 1958.<\/li>\n<li class=\"ai-optimize-366\">Thomson, C. Claire.\u00a0<i>Thomas Vinterberg\u2019s Festen (The Celebration).\u00a0<\/i>Nordic Film Classics. University of Washington Press, 2013.<\/li>\n<li class=\"ai-optimize-367\">Thomson, David. <i>Showman: The Life of David O. Selznick<\/i>. Abacus, 1993.<\/li>\n<li class=\"ai-optimize-368\">Thomson, David.<em> Rosebud: The Story of Orson Welles<\/em>. Alfred A. Knopf, 1996.<\/li>\n<li class=\"ai-optimize-369\">Thompson, David, editor. <em>Altman on Altman<\/em>. Faber and Faber, 2006.<\/li>\n<li class=\"ai-optimize-370\">Thompson, Kristin, et al. <em>Film History: An Introduction<\/em>, 5th Edition. McGraw Hill, 2022.<\/li>\n<li class=\"ai-optimize-371\">Tranberg, Charles. <em>The Thin Man Films: Murder Over Cocktails. <\/em>BearManor Media, 2008.<\/li>\n<li class=\"ai-optimize-372\">Truffaut, Fran\u00e7ois<em>. Hitchcock<\/em>. With the collaboration of Helen G Scott. Simon and Schuster, 1985.<\/li>\n<li class=\"ai-optimize-373\">Truffaut, Fran\u00e7ois. <em>The Films of My Life<\/em>. Simon and Schuster, 1975.<\/li>\n<li class=\"ai-optimize-374\">Truffaut, Fran\u00e7ois. &#8220;A certain tendency of the French cinema.&#8221; In: <em>Movies and Methods<\/em>. Edited by Bill Nichols. University of California Press, 1976.<\/li>\n<li class=\"ai-optimize-375\"><em>Truffaut by Truffaut<\/em>. Texts and documents compiled by Dominique Rabourdin; translated from the French by Robert Erich Wolf. Abrams, 1987.<\/li>\n<li class=\"ai-optimize-376\">Turk, Edward Baron. <em>Child of Paradise: Marcel Carn\u00e9<\/em><em> and the Golden Age of French Cinema.\u00a0<\/em>Harvard University Press, 1989.<\/li>\n<li class=\"ai-optimize-377\">Tweedie, James. <i>The Age of New Waves: Art Cinema and the Staging of Globalization<\/i>. Oxford University Press, 2013.<\/li>\n<li class=\"ai-optimize-378\">Udden, James.\u00a0<i>No Man an Island: The Cinema of Hou Hsiao-hsien<\/i>. Hong Kong University Press; Reprint edition, 2017.<\/li>\n<li class=\"ai-optimize-379\">Urwand, Ben.\u00a0<em>The Collaboration: Hollywood\u2019s Pact with Hitler<\/em>. Yale University Press, 2013.<\/li>\n<li class=\"ai-optimize-380\">Vance, Jeffrey.<em> Chaplin: Genius of the Cinema<\/em>. Harry N. Abrams, 2003.<\/li>\n<li class=\"ai-optimize-381\"><span style=\"font-weight: 400;\">Vaz, Mark Cotta. <\/span><i><span style=\"font-weight: 400;\">Living Dangerously: The Adventures of Merian C. Cooper, Creator of King Kong<\/span><\/i><span style=\"font-weight: 400;\">. Villard, 2005.<\/span><\/li>\n<li class=\"ai-optimize-382\">Vecchio, Marjorie, editor. <em>The Films of Claire Denis: Intimacy on the Border<\/em>. I.B. Tauris, 2014.<\/li>\n<li class=\"ai-optimize-383\">Vice, Sue. <i>Shoah<\/i>. BFI Film Classics. Palgrave Macmillan, 2011.<\/li>\n<li class=\"ai-optimize-384\">Vincendeau, Ginette.<em> Jean-Pierre Melville: An American in Paris.\u00a0<\/em>British Film Institute, 2003.<\/li>\n<li class=\"ai-optimize-385\">Wagstaff, Christopher.\u00a0<em>Italian Neorealist Cinema: An Aesthetic Approach<\/em>. University of Toronto Press, 2007.<\/li>\n<li class=\"ai-optimize-386\">Walker, Alexander. <em>Garbo: A Portrait<\/em>. Macmillan Publishing Co., 1980.<\/li>\n<li class=\"ai-optimize-387\">Walker, Alexander, et al.\u00a0<em>Stanley Kubrick, Director: A Visual Analysis<\/em>. Rev. and expanded. Norton, 1999.<\/li>\n<li class=\"ai-optimize-388\">Warren, Doug; Cagney, James. <em>Cagney: The Authorized Biography<\/em>. St. Martin&#8217;s Press., 1986.<\/li>\n<li class=\"ai-optimize-389\">Weddle, David.<em> &#8220;If they move&#8230; Kill &#8216;Em!&#8221;: The Life and Times of Sam Peckinpah.\u00a0<\/em>Grove Press, 1994.<\/li>\n<li class=\"ai-optimize-390\">Welles, Orson; Bogdanovich, Peter.<em>This is Orson Welles<\/em>. Edited by Jonathan Rosenbaum. Da Capo Press, 1998.<\/li>\n<li class=\"ai-optimize-391\">Wheatley, Catherine.\u00a0<em>Michael Haneke\u2019s Cinema: The Ethic of the Image<\/em>. Berghahn Books, 2009.<\/li>\n<li class=\"ai-optimize-392\">White, Jerry.\u00a0<i>The Films of Kiyoshi Kurosawa: Master of Fear<\/i>. Stone Bridge Press, 2009.<\/li>\n<li class=\"ai-optimize-393\">Williams, Tony. <em>The Cinema of George A. Romero: Knight of the Living Dead.<\/em> Second Edition. Wallflower Press, 2015.<\/li>\n<li class=\"ai-optimize-394\">Williams, Tony, editor. <em>George A. Romero: Interviews<\/em>. University Press of Mississippi, 2011.<\/li>\n<li class=\"ai-optimize-395\">Wilson, Harlan D. <em>They Live<\/em>. Wallflower Press, 2015.<\/li>\n<li class=\"ai-optimize-396\">Wollen, Peter. <em>Singin\u2019 in the Rain<\/em>. BFI Film Classics. London: Palgrave MacMillian, 2012.<\/li>\n<li class=\"ai-optimize-397\">Wooley, John.\u00a0<i>Wes Craven: The Man and His Nightmares<\/i>. John Wiley and Sons, Inc., 2011.<\/li>\n<li class=\"ai-optimize-398\">Wood, Robin. <em>Rio Bravo<\/em>. (BFI Modern Classics). British Film Institute, 2003.<\/li>\n<li class=\"ai-optimize-399\">Woods, Paul A. <em>Weirdsville U.S.A.: The Obsessive Universe of David Lynch<\/em>. 2nd ed. UK: Plexus, 2000.<\/li>\n<li class=\"ai-optimize-400\">Woods, Paul A., ed, <em>Joel and Ethan Coen: Blood Siblings<\/em>. Plexus, 2000<\/li>\n<li class=\"ai-optimize-401\">Yudkoff, Alvin. <em>Gene Kelly: A Life of Dance and Dreams<\/em>. Back Stage\/Watson-Guptill, 1999.<\/li>\n<li class=\"ai-optimize-402\">Yule, Andrew<em>. Losing the Light: Terry Gilliam and the Munchausen Saga<\/em>. Applause Books, c1991.<\/li>\n<li class=\"ai-optimize-403\">\u017di\u017eek, Slavoj.<em> Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock).<\/em>\u00a0Verso, 1992.<\/li>\n<li class=\"ai-optimize-404\">Zucker, Carole. <em>The Cinema of Neil Jordan: Dark Carnival<\/em>. Wallflower Press, 2008.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>On Deep Focus Review, I draw from my small library of resources to inform my reviews and essays. The texts include film histories, film theory in books and journals, and biographical texts. The resources also include a few online articles, disc extras, and other media. I have compiled a list of the most commonly used and referenced sources below. Brian Eggert Deep Focus Review Aisenberg, Joseph. Studies in the Horror Film: Brian De Palma&#8217;s Carrie. Centipede Press, 2011. Albpert, Hollis. Fellini: A Life. Marlowe &amp; Company, 1986. Aldouby, Hava. Federico Fellini: Painting in Film, Painting on Film. University of Toronto Press, 2010. Allen, Jerry C.\u00a0Conrad Veidt: From Caligari to Casablanca.\u00a0Boxwood Press,\u00a01987. Allen, Woody; Bj\u00f6rkman, Stig. Woody Allen On Woody Allen. Grove Press, 2005. Anderegg, Michael. David Lean. Twayne, 1984. Anderson, John. Edward Yang. University of Illinois Press, 2005. Anderson, Lindsay. About John Ford. Plexus Publishing, 1999. Andrew, Dudley and Carole Cavanaugh.\u00a0Sansho Dayu. British Film Insititute, 2009. Andrews, Nigel. Nigel Andrews on Jaws. Bloomsbury Publishing, 1999. Armes, Roy.\u00a0Third World Film Making and the West. University of California Press, 1987. Armstrong, Stephen B. Pictures About Extremes: The Films of John Frankenheimer. McFarland &amp; Company, Inc: 2008. Auzenne, Valliere Richard. The Visualization Quest: [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-65","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Bibliography | Deep Focus Review<\/title>\n<meta name=\"description\" content=\"Film critic and historian Brian Eggert draws from Deep Focus Review&#039;s ever-expanding library of film-related books to inform his writing.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.deepfocusreview.com\/bibliography\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bibliography\" \/>\n<meta property=\"og:description\" content=\"Film critic and historian Brian Eggert draws from Deep Focus Review&#039;s ever-expanding library of film-related books to inform his writing.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.deepfocusreview.com\/bibliography\/\" \/>\n<meta property=\"og:site_name\" content=\"Deep Focus Review\" \/>\n<meta property=\"article:modified_time\" content=\"2025-07-05T14:56:22+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"24 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.deepfocusreview.com\/bibliography\/\",\"url\":\"https:\/\/www.deepfocusreview.com\/bibliography\/\",\"name\":\"Bibliography | Deep Focus Review\",\"isPartOf\":{\"@id\":\"https:\/\/www.deepfocusreview.com\/#website\"},\"datePublished\":\"2016-12-16T05:04:19+00:00\",\"dateModified\":\"2025-07-05T14:56:22+00:00\",\"description\":\"Film critic and historian Brian Eggert draws from Deep Focus Review's ever-expanding library of film-related books to inform his writing.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.deepfocusreview.com\/bibliography\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.deepfocusreview.com\/bibliography\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.deepfocusreview.com\/bibliography\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.deepfocusreview.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Bibliography\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.deepfocusreview.com\/#website\",\"url\":\"https:\/\/www.deepfocusreview.com\/\",\"name\":\"Deep Focus Review\",\"description\":\"Movie Reviews, Essays, and Analysis\",\"publisher\":{\"@id\":\"https:\/\/www.deepfocusreview.com\/#organization\"},\"alternateName\":\"DFR\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.deepfocusreview.com\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.deepfocusreview.com\/#organization\",\"name\":\"Deep Focus Review\",\"alternateName\":\"DFR\",\"url\":\"https:\/\/www.deepfocusreview.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.deepfocusreview.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.deepfocusreview.com\/wp-content\/uploads\/2024\/10\/cropped-DFR-Favicon-5.png\",\"contentUrl\":\"https:\/\/www.deepfocusreview.com\/wp-content\/uploads\/2024\/10\/cropped-DFR-Favicon-5.png\",\"width\":512,\"height\":512,\"caption\":\"Deep Focus Review\"},\"image\":{\"@id\":\"https:\/\/www.deepfocusreview.com\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.instagram.com\/deepfocusreview\/\",\"https:\/\/letterboxd.com\/deepfocusreview\/\",\"https:\/\/www.linkedin.com\/company\/deep-focus-review\/\",\"https:\/\/www.threads.net\/@deepfocusreview\",\"https:\/\/bsky.app\/profile\/deepfocusreview.bsky.social\"],\"description\":\"Brian Eggert is a Tomatometer-Approved critic who writes about classic, independent, and mainstream cinema on Deep Focus Review. 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