{"id":29105,"date":"2025-06-26T07:43:20","date_gmt":"2025-06-26T12:43:20","guid":{"rendered":"https:\/\/www.deepfocusreview.com\/?p=29105"},"modified":"2025-07-25T15:29:45","modified_gmt":"2025-07-25T20:29:45","slug":"the-cinefiles-ep-4","status":"publish","type":"post","link":"https:\/\/www.deepfocusreview.com\/the-cinefiles-ep-4\/","title":{"rendered":"The CineFiles &#8211; Ep. 4"},"content":{"rendered":"<p><span data-preserver-spaces=\"true\">Dear readers,<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">On the new episode <\/span><em><span data-preserver-spaces=\"true\">The<\/span><span data-preserver-spaces=\"true\"> CineFiles<\/span><\/em><span data-preserver-spaces=\"true\">, host Chris Hrapsky (KARE 11), critic Jamie Rogers, and I talk about a few new titles in theaters <\/span><span data-preserver-spaces=\"true\">right now<\/span><span data-preserver-spaces=\"true\">.\u00a0\u00a0<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">The episode starts with my coverage of <\/span><a href=\"https:\/\/www.deepfocusreview.com\/reviews\/f1\/\"><strong><em>F1<\/em><\/strong><\/a><span data-preserver-spaces=\"true\">, director Joseph Kosinski&#8217;s racing melodrama starring Brad Pitt, Javier Bardem, Damson Idris, and Kerry Condon. Much to my surprise, I enjoyed this Formula One feature; it reminded me of John Frankenheimer&#8217;s <\/span><em><span data-preserver-spaces=\"true\">Grand Prix <\/span><\/em><span data-preserver-spaces=\"true\">(1967). <\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Jamie and I agreed that Celine Song&#8217;s second feature, <\/span><a href=\"https:\/\/www.deepfocusreview.com\/reviews\/materialists\/\"><strong><em>Materialists<\/em><\/strong><\/a><span data-preserver-spaces=\"true\">, is worth checking out. <\/span><span data-preserver-spaces=\"true\">Despite its imperfections, the <\/span><span data-preserver-spaces=\"true\">charming<\/span><span data-preserver-spaces=\"true\"> cast (Dakota Johnson, Chris Evans, Pedro Pascal) and thoughtful look at modern dating make it both honest and familiar.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">And<\/span><span data-preserver-spaces=\"true\"> we <\/span><span data-preserver-spaces=\"true\">were mostly<\/span><span data-preserver-spaces=\"true\"> aligned<\/span><span data-preserver-spaces=\"true\"> about the impact of <\/span><a href=\"https:\/\/www.deepfocusreview.com\/definitives\/28-days-later\/\"><strong><em>28 Days Later<\/em><\/strong><\/a> <span data-preserver-spaces=\"true\">(2002), the entertaining disposability of <\/span><a href=\"https:\/\/www.deepfocusreview.com\/reviews\/28-weeks-later\/\"><strong><em>28 Weeks Later<\/em><\/strong><\/a> <span data-preserver-spaces=\"true\">(2007), and the uneven but mostly spectacular quality of <\/span><em><span data-preserver-spaces=\"true\"><a href=\"https:\/\/www.deepfocusreview.com\/reviews\/28-years-later\/\"><strong>28 Years Later<\/strong><\/a>. <\/span><\/em><\/p>\n<p><span data-preserver-spaces=\"true\">Finally, we talk about Chris&#8217; &#8220;CineGift&#8221; of Stanley Kubrick&#8217;s 1957 feature <\/span><em><span data-preserver-spaces=\"true\"><a href=\"https:\/\/www.deepfocusreview.com\/definitives\/paths-of-glory\/\"><strong>Paths of Glory<\/strong><\/a>, <\/span><\/em><span data-preserver-spaces=\"true\">which we all agreed is a phenomenal feature. <\/span><span data-preserver-spaces=\"true\">Read my updated essay on the <\/span><span data-preserver-spaces=\"true\">film,<\/span><span data-preserver-spaces=\"true\"> starring Kirk <\/span><span data-preserver-spaces=\"true\">Douglas,<\/span><span data-preserver-spaces=\"true\"> in The Definitives.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Also, I share my &#8220;CineGift&#8221; for next time: Akira Kurosawa&#8217;s 1963 masterpiece, <\/span><a href=\"https:\/\/www.deepfocusreview.com\/definitives\/high-and-low\/\"><strong><em>High and Low<\/em><\/strong><\/a><span data-preserver-spaces=\"true\">, which you can watch on Max or The Criterion Channel. <\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Follow the show by subscribing to the <\/span><strong><a class=\"editor-rtfLink\" href=\"https:\/\/www.kare11.com\/appredirect\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">KARE 11+ app<\/span><\/a> <\/strong><span data-preserver-spaces=\"true\">(available on Roku, Fire TV, Apple TV, etc.) or watch on <\/span><strong><a class=\"editor-rtfLink\" href=\"https:\/\/www.youtube.com\/watch?v=LAf9MIlw-W8\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">YouTube<\/span><\/a><\/strong><span data-preserver-spaces=\"true\">.\u00a0<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Happy viewing!<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Brian Eggert<br \/>\n<\/span><span data-preserver-spaces=\"true\">Critic, Essayist, Founder<br \/>\n<\/span><span data-preserver-spaces=\"true\">Deep Focus Review<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dear readers, On the new episode The CineFiles, host Chris Hrapsky (KARE 11), critic Jamie Rogers, and I talk about a few new titles in theaters right now.\u00a0\u00a0 The episode starts with my coverage of F1, director Joseph Kosinski&#8217;s racing melodrama starring Brad Pitt, Javier Bardem, Damson Idris, and Kerry Condon. Much to my surprise, I enjoyed this Formula One feature; it reminded me of John Frankenheimer&#8217;s Grand Prix (1967). Jamie and I agreed that Celine Song&#8217;s second feature, Materialists, is worth checking out. Despite its imperfections, the charming cast (Dakota Johnson, Chris Evans, Pedro Pascal) and thoughtful look at modern dating make it both honest and familiar. And we were mostly aligned about the impact of 28 Days Later (2002), the entertaining disposability of 28 Weeks Later (2007), and the uneven but mostly spectacular quality of 28 Years Later. Finally, we talk about Chris&#8217; &#8220;CineGift&#8221; of Stanley Kubrick&#8217;s 1957 feature Paths of Glory, which we all agreed is a phenomenal feature. Read my updated essay on the film, starring Kirk Douglas, in The Definitives. Also, I share my &#8220;CineGift&#8221; for next time: Akira Kurosawa&#8217;s 1963 masterpiece, High and Low, which you can watch on Max or The Criterion Channel. [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11074],"tags":[],"class_list":["post-29105","post","type-post","status-publish","format-standard","hentry","category-the-cinefiles"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.4 (Yoast SEO v25.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The CineFiles - Ep. 4 | Deep Focus Review<\/title>\n<meta name=\"description\" content=\"The CineFiles review F1, Materialists, 28 Years Later, Kubrick\u2019s Paths of Glory, and preview Kurosawa\u2019s High and Low in this week\u2019s episode.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.deepfocusreview.com\/the-cinefiles-ep-4\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The CineFiles - Ep. 4 | Deep Focus Review\" \/>\n<meta property=\"og:description\" content=\"The CineFiles review F1, Materialists, 28 Years Later, Kubrick\u2019s Paths of Glory, and preview Kurosawa\u2019s High and Low in this week\u2019s episode.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.deepfocusreview.com\/the-cinefiles-ep-4\/\" \/>\n<meta property=\"og:site_name\" content=\"Deep Focus Review\" \/>\n<meta property=\"article:published_time\" content=\"2025-06-26T12:43:20+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-07-25T20:29:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.deepfocusreview.com\/wp-content\/uploads\/2025\/06\/KARE-11-The-CineFiles-Ep-4-1-scaled.png\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1407\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Brian Eggert\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"The CineFiles - Ep. 4\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Brian Eggert\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.deepfocusreview.com\/the-cinefiles-ep-4\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.deepfocusreview.com\/the-cinefiles-ep-4\/\"},\"author\":{\"name\":\"Brian Eggert\",\"@id\":\"https:\/\/www.deepfocusreview.com\/#\/schema\/person\/78dca551bce4d5099340e94d4bf1b40f\"},\"headline\":\"The CineFiles &#8211; 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